I. INTRODUCTION.II. RILKE'S "PRIMORDIAL SOUND": AN IMPASSE OF THE SENSES.III. STORIES OF THE DEAR LORD, FIRST PART: THE SEPARATION OF
HAND AND SPIRIT.IV. STORIES OF THE DEAR LORD, SECOND PART: THE CONDITIONS FOR THE POSSIBLITY OF SENSE.V. LEARNING TO SEE: THE NOTEBOOKS OF MALTE LAURIDS BRIGGE, FIRST PART.VI. TRANSFORMATIONS: MALTE LAURIDS BRIGGE, SECOND PART.VII. AUGUSTE RODIN AND THE CULMINATION OF CREATIVE LABOR.

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